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Orchestra people

Kathy Holmes, violinist and Leader.

 

I used to ride on the back of a motorbike to the Guildhall School of Music. What a way to travel, weaving in and out of the London traffic with my two hundred year old violin wedged between my foot and elbow.Kathy Holmes
Three years of intensive study with Joan Spencer and the formidable Max Rostal, pupil of Carl Flesch, ensured that I was more or less ready for anything on the violin. However I declined a further scholarship year and set off in another direction, for I had been playing, competing and taking music exams since the age of four and was ready for a change.
So I found myself working in Whitehall as an executive in the Navy Department. This rapidly broadened my experience of the world, and it was here that I met my husband, Adrian. When our two children were very young I was persuaded to start instrumental teaching - something I had said I would never do, having deliberately chosen a course in violin performance rather than teaching, to avoid any such possibility.
Since then I have enjoyed tutoring, accompanying, playing orchestral, chamber and folk music as well as giving solo performances.
The violin is a constant source of amazement to me and I feel privileged that four successive generations of my family have been inspired to play this extraordinary instrument. I am also proud to say that research has shown that the line of my violin teachers stretches all the way back to Vivaldi.

 

 

 

Dorothy Wilson, viola player


Dorothy_Wilson

My earliest musical recollection was of my Dad and his Father playing violin duets and violin and piano duets when we visited my grandparents in Co. Durham. My maternal grandparents met when they both sang in a “concert party” during the First World War and my Great grandparents were band leaders and orchestral players. Later I appreciated sitting on the stairs, after I was supposed to be in bed, listening to my parents playing piano duets. A common interest in music brought them together as it did my husband Graham and me when we met at University - and we’ve been playing duets more or less ever since!

 

I started playing the piano and violin when I was about 9. I recall my frustration when I had to ride my bike to violin lessons with my fiddle and music bag around my neck – the frustration because my 3 years younger brother played the ‘cello and bassoon and somehow the car always came out to take him to lessons! He went on to become a bit of a star ‘cellist and I swapped the violin for the viola when we moved to Worcestershire, 25 years ago now, and I fancied a change. So viola is my instrument now though I do also sing a lot, sometimes as a soloist with Volante Strings, which is both a huge pleasure and a bit of a responsibility. Graham often writes and arranges songs for me to sing with Volante and I’ve done a few arrangements myself too.

 

Our daughters are also musicians, all three playing violin, piano and singing, and each another orchestral instrument – viola, flute and oboe. We hope the music bug will carry on to successive generations.


Last Updated on Tuesday, 01 November 2011 16:22

 
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REVIEWS

Great Witley 2011

Thank you very much for the wonderful  concert last night. It was pure music

all the way!  I was standing at the door as people were leaving and

everybody was enthusing about hearing such lovely playing in such a

beautiful setting. Thanks to you all. Here's to the next time!

John Jenkin, Great Witley

18 September 2011

St John in Bedwardine

 

Well presented and visually pleasing, Volante Strings is a versatile string orchestra which played music from the Baroque Period through to the twentieth century with ease and a discerning grasp of style. The orchestra is all the more pleasing to watch for its dependence not on a conductor but on the musical skills of its fifteen players to listen and respond together to the ebb and flow of the music. Under the leadership of Kathy Holmes but with input from all players, the ensemble is tight and the tuning impeccable.

The concert started with Vivaldi’s  String Concerto in D minor; this music is bread and butter to Volante Strings and it flies along with a fine string tone and well graded terraced dynamics. Grieg’s Holberg Suite was complementary and started with some crisp playing in the Prelude followed by the nicely balanced lush harmonies of the sarabande. The orchestra captured the fluent lines of the Air and the Rigaudon presented some excellent contrasts between sections. It was good to hear some music from Avison, a lesser- known northern contemporary of Handel and we heard some stylish playing from Graham Longfils and Josie Bedford-Davies as soloists.

Arensky’s Variations featured much attention to fine detail in its phrasing, articulation and dynamics; particularly enjoyable was the beautiful and expansive cello solo played under an intricate accompaniment.

The group is indeed lucky to have several arrangers/composers and Graham Gunter’s arrangements of some Shostakovich piano preludes were a nice addition to the programme. Bob Thomas’ Worcester Brawls Remixt is an excellent mixture of dances past and present, and was played with verve and relish providing an exciting and witty conclusion to a very enjoyable summer afternoon of music.

Rob Porter  June 2011

St Edburga's Church

At their second visit to St. Edburga's Church,  Volante Strings presented a beautifully polished recital of music of a less well known character including Avison, Arensky and Dag Wirén. More familiar were pieces by Grieg (The Holberg Suite) and a Trio Sonata for two cellos masterfully played by Corinne Frost and Hilary Summers.

Reference was made to Sir Edward Elgar and his involvement in the locality. It was therefore most appropriate for the orchestra to play part of the delightful suite from his one and only attempt at comic opera - The Spanish Lady.

The good sized audience rightly showed their appreciation for a delightful evening.

 

Bruce Tasker, Bransford

Leominster

"Thanks for making this week end visit a real treat for me. I think you all did some really excellent playing in the concert and I certainly enjoyed playing those wonderful concertos together!"  Charles Owen, March 2009

Oostende and Brugge

'I see Volante Strings as a touch of home,  a vehicle for Elgar and his country. They have an extremely wide repertoire and their concerts have something for everyone in the audience'.

Clifford Owen, priest-in-charge of Oostende and Brugge.


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